About Sergey Korobkov
AboutI started this in 2019. Went full-time in-house. Came back to it.
I started learning design in 2019 and picked up my first freelance projects the year after.
Three years in, I took an in-house role as a product designer at WebMoney — two years working inside one product, with real constraints and real users depending on the details being right. Different discipline from freelance, and one I needed.
Came back to freelance in 2025 and haven't stopped since.
That shift changed how I approach client work. I stopped treating each project as a one-off and started thinking in systems — the kind of structure that holds up after I hand it off, not just on launch day. Everything on this site — the pricing, the process, the case studies — comes from that.
I work alone by default, not because I can't scale, but because most projects don't need a team to be done well. When one does, I bring in people I've vetted myself and stay the single point of contact — you're not managing a handoff between me and a subcontractor.
Based in Tbilisi. Working with clients wherever they are.
Experience
Independent client work — Webflow, Framer, and custom builds for businesses across the US and Europe. Design through launch, one point of contact throughout.
Two years in-house at a fintech product, working remotely while finishing my degree — designing across the platform rather than one isolated feature. Different pace from freelance — more constraints, more stakeholders, more real users depending on the details being right.
First client projects after finishing design fundamentals in 2019. Small business sites and early Webflow work — where I learned what freelance actually requires beyond the design itself.
Education
Certifications
All earned in 2026, current.
Off the clock
Outside of client work, most of my time goes to boards — skateboard in the city, snowboard when the season allows, surf when I can get to the ocean. Different boards, same feeling: balance, momentum, figuring it out as you go.
I draw sometimes too, less as a skill and more as a way to think without a screen.
None of this makes me a better designer on paper. But the same instinct that keeps you upright on a board — reading what's in front of you and adjusting in real time instead of forcing a plan — shows up in how I approach a messy brief.
Still here?Got this far?
You already know how I work and probably
a bit more about my snowboard habits than
you expected. Let’s talk about your project.